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While not a big business achievement, noted music critic Timothy Duggan outlined it as "Townshend's most sincere and introspective function given that Quadrophenia." Through the rest of the eighties and early 1990s Townshend would again experiment with the rock opera and linked formats, releasing quite a few tale-based mostly albums which includes White City: A Novel (1985), The Iron Man: A Musical (1989), and Psychoderelict (1993).
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