In a film that can not decide regardless of whether it is for young ones or for adults who consider like them, that forgets to have an ending, and that would be unfunny if only we understood for specific it was angling toward comedy, that untrue-problem fallacy is the most substantial-priority issue. Compact and fragile as a do-it-yourself dollhouse, Céline Sciamma’s ideal minor movie pivots on a bit of unassuming magic.
Arnulfohatfi
Arnulfo Hatfield
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