Though Porumboiu recalibrates a normal neo-noir plot by playing with chronologies and views, incorporating a dose of pitch-black humor to leaven the film’s ostensible bleakness-and cinematographer Tudor Mircea’s pictures of the Spanish coastline are some thing to behold-alternatively than amounting to placeholders dropped in a twisty plot twisted for the sake of it, Porumboiu’s many gamers survive the chaos.