A dour and pessimistic film about 3 pals (Yaphet Kotto, Harvey Keitel and Richard Pryor) who get the job done the assembly line in a significant Detroit automobile plant, battling poverty as considerably as they tussle with corruption in both of those their management and car workers’ union, Blue Collar is as noteworthy for Pryor’s swaggeringly melancholic functionality as it is for behind-the-scenes anecdotes.
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Cathern Morehead
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