Finally, the E2-M4 can record 12-bit Apple ProRes Raw up to 4K60p, but only with the Atomos Ninja V. So, ahead of you soar into the ProRes Raw pool, you will have to have to element in this charge as well. With the Z CAM, if you want to report in Apple ProRes, you are going to only be equipped to shoot at a max FPS of 60. So to shoot at nearly anything quicker, like the great 4K 120p, you’ll need to have to change to h.265.