A movie that is in no uncertain terms a conclusion, if not to Miyazaki’s venerable occupation as a single of the undisputed patriarchs of modern-day Japanese animation, then a thematic coda that ties together an exquisite knot at the stop of his venerated and storied profession as a director. Juno and Up In the Air director Jason Reitman's Crash-for-the-Snapchat-era ensemble drama is an abomination.