The true power of Jim Jarmusch’s breakout sophomore aspect is how it will take aspects of artwork-home cinema-experimental pacing, cinemagraphic nods to Fellini, deadpan humor-and can make them so obtainable. It’s also a road-excursion film-however when they are seen as a result of Jarmusch’s black-and-white lens, Florida, Manhattan, and a frozen Lake Erie all search similar.