In a film that can not make a decision whether or not it is for kids or for older people who think like them, that forgets to have an ending, and that would be unfunny if only we knew for specific it was angling toward comedy, that bogus-dilemma fallacy is the most higher-priority challenge. Compact and fragile as a handmade dollhouse, Céline Sciamma’s ideal very little film pivots on a little bit of unassuming magic.