In director Apichatpong Weerasethakul’s stick to-up, Cemetery of Splendor (2015), Pongpas reprises her part as a lady named Jen who can’t quite persuade herself she’s woken from a bizarre aspiration in equally films, she wanders gently among actuality-loud, at any time-modernizing Thailand-and a diverse actuality, in which the lifeless share foods with us.