Finally, the E2-M4 can file 12-little bit Apple ProRes Raw up to 4K60p, but only with the Atomos Ninja V. So, right before you bounce into the ProRes Raw pool, you will need to have to variable in this charge as well. With the Z CAM, if you want to document in Apple ProRes, you are going to only be able to shoot at a max FPS of sixty. So to shoot at just about anything quicker, like the perfect 4K 120p, you’ll have to have to change to h.265.