While not a huge commercial achievements, noted tunes critic Timothy Duggan mentioned it as "Townshend's most truthful and introspective do the job considering that Quadrophenia." Through the relaxation of the 1980s and early 1990s Townshend would once more experiment with the rock opera and related formats, releasing many story-based mostly albums such as White City: A Novel (1985), The Iron Man: A Musical (1989), and Psychoderelict (1993).