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Inside the story of Eusebio Poncela’s José (B-horror director and just about burned-out junkie), Cecila Roth’s Ana (José’s ex who blows into his apartment like a hurricane) and Will More’s Pedro (a bizarre, reclusive, property motion picture-creating little gobliny male José achieved on a locale scout), there are intertwined narratives of dependancy and dependence-like any good film about vampires. Meanwhile, Mrs.
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