Whether it be Mahiro Maeda’s chilling prequel in "The Second Renaissance," Shinichiro Watanabe’s minimal-tech noir secret in "A Detective Story," or Peter Chung’s bizarre and psychedelic journey into the mind of a human-built matrix with "Matriculated," the Animatrix dove right into heart of films’ collective mythology and reimagined it with every very last fall of untapped creativity the collection experienced then yet to muster.