Darkman, in which all Liam Neeson desires to do is get Frances McDormand a pink elephant, which qualified prospects to a great visual sequence from Sam Raimi and co. (and supplies a line I use day to day in serious existence, "Didn't you hear me, weirdo"). I'm not truly guaranteed if I know what correct compact-city existence is like, but All The Real Girls is at least incredibly honest in its depiction of this kind of.