Whether it be Mahiro Maeda’s chilling prequel in "The Second Renaissance," Shinichiro Watanabe’s minimal-tech noir secret in "A Detective Story," or Peter Chung’s strange and psychedelic journey into the intellect of a human-intended matrix with "Matriculated," the Animatrix dove specifically into heart of films’ collective mythology and reimagined it with just about every final fall of untapped creativeness the collection experienced.