The score was composed by David Newman, and in accordance to Whedon was meant to "deglorify room - to sense the intimacy of being on a ship as opposed to the grandeur". They had been going on ‘‘supported dates’’ - flirting with each other via F.C., arranging get-­togethers, negotiating intimacy - for about a 12 months. You have to wonder what the hell is likely on inside Jonas Darnell's head.