Penélope Cruz, Édgar Ramirez, Ana de Armas, Gael García Bernal, and Wagner Moura (Narcos’ Pablo Escobar, the presumptive purpose Netflix snatched up this festival fizzler) painting a related ensemble of drug-runners, double agents, and the collateral lives caught up in their operations.
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Nowhere was the precept that all wealth derives from labor more universally accepted as atypical widespread sense, but nowhere, too, was the counterattack against this widespread sense so calculated, so sustained, and so ultimately effective. In what sense and for whom?