In a movie that cannot come to a decision whether it’s for kids or for adults who consider like them, that forgets to have an ending, and that would be unfunny if only we understood for selected it was angling towards comedy, that phony-predicament fallacy is the most higher-precedence challenge. Compact and fragile as a selfmade dollhouse, Céline Sciamma’s excellent small movie pivots on a bit of unassuming magic.